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Various Artists – War Child Presents Heroes

March 3rd, 2009 | No Comments | Posted in Album reviews

War Child’s newest compilation – benefiting children affected by war – is structured around a premise that legendary artists pick modern day artists to cover their classics: Beck does a rousing, bluesy rendition of Bob Dylan’s “Leopard-Skin Pill-Box Hat”, Lily Allen does a soft and ironically sweet cover of The Clash’s “Paper Planes”-sampled “Straight to Hell”,  Hot Chip dance-pops up Joy Division’s “Transmission, and TV on the Radio manages to make the first good cover of Bowie’s “Heroes” that this reviewer has ever heard; despite a few low points, (The Kinks clearly picked The Kooks to cover “Victoria” because of the similar names, and the results are quite boring, and Peaches’ can’t hold a candle to the badassness of Iggy Pop’s “Search and Destroy”) the whole thing paints a more promising portrait of the state of popular music then you’re likely to get from most sources and besides, once again, it’s all for a good cause so you should buy it anyway.

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U2 – No Line On The Horizon

February 24th, 2009 | No Comments | Posted in Album reviews

U2 - No Line On The Horizon

Never judge a book by its cover, and never judge an album by its lead single – “Get On Your Boots” is not at all representative of No Line On The Horizon – unlike the single, which is a cheap, thoughtless pile of pap which sounded like it was written and recorded in 5 minutes, No Line On The Horizon is lush (without sounding overproduced), thoughtful (without sounding snobby), and just plain well done all around, from the songwriting to the final production; Brian Eno rarely disappoints and neither does No Line…it’s vintage U2 without sounding like vapid U2.
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U2 – Get On Your Boots

January 21st, 2009 | 2 Comments | Posted in Song reviews

U2 - Get On Your Boots

“Get On Your Boots” is being heralded as a return to the Achtung Baby and Zooropa era of U2, but if this is even true it’s only in the guitar production; it wouldn’t make the cut on either album and the lyrical and song writing quality is barely that of a warm-up jam, complete with overlooped and abrupt instrumental changes and nonsensical lyrics…in reality the song is more in line with the astoundingly uninspired pap the band vomited forth on Pop, and this time not even Brian Eno could rescue it. More »

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