Dark Night of the Soul is a big musical collaboration between the band Sparklehorse, ubiquitous producer Danger Mouse, a whole bunch of other people, and David Lynch, who provides an high price artbook full of accompanying visuals (and may or may not give an uncredited vocal performance on the title track); the album is made up of fuzzy, melencholy vignettes about “dark” themes like revenge and suffering but with an overwhelming pop sensibility – the results often live up to the contributor’s reputations and add to the album’s engaging mood (Wayne Coyne on “Revenge”, Iggy Pop on “Pain”, Vic Chestnutt’s “Grim Augury”) but as with any kitchen with this many cooks, missteps are bound to arise. (Nina Persson’s two tracks are pretty meh and Frank Black seems misused)

Blank Slate: Due to an “ongoing dispute” between Danger Mouse and EMI, Dark Night of the Soul will probably never see an official release. It is widely available online though, and those who purchase “the album” receive either the limited edition Lynch art book or a poster, depending on what package they choose, and a blank CD-R to “use [as they] will”. I assume that means they should put the new Jonas Brothers album on it.

7.7 / 10

Self-released
2009

War Child’s newest compilation – benefiting children affected by war – is structured around a premise that legendary artists pick modern day artists to cover their classics: Beck does a rousing, bluesy rendition of Bob Dylan’s “Leopard-Skin Pill-Box Hat”, Lily Allen does a soft and ironically sweet cover of The Clash’s “Paper Planes”-sampled “Straight to Hell”,  Hot Chip dance-pops up Joy Division’s “Transmission, and TV on the Radio manages to make the first good cover of Bowie’s “Heroes” that this reviewer has ever heard; despite a few low points, (The Kinks clearly picked The Kooks to cover “Victoria” because of the similar names, and the results are quite boring, and Peaches’ can’t hold a candle to the badassness of Iggy Pop’s “Search and Destroy”) the whole thing paints a more promising portrait of the state of popular music then you’re likely to get from most sources and besides, once again, it’s all for a good cause so you should buy it anyway.

8.3 / 10

Astralwerks
February 24, 2009